Showing posts with label Product. Show all posts
Showing posts with label Product. Show all posts

Wednesday, 6 March 2013

Marketing Tips for Authors – The 4Ps Part Four


So far in this series I’ve covered the first three Ps – Product, Price and Promotion. This then just leaves the fourth part – Place. Before I move on to Place let me first just recap on the other three. The idea of the 4Ps concept is it pulls the key elements of marketing together. First the product needs to be right. In the case of an author, a book, for example, needs to entertain the target audience. That entertainment comes at a price. The idea is to price it at an optimum price to get the balance right between generating sufficient profit per unit, whilst maximising volume. The next step is to then promote the product with the right message to the right audience. And it’s this last step which leads me on to Place. Place isn’t, necessarily, a physical place. A potential reader needs to know where to go to get the book. Prior to the digital revolution, this, in previous decades, would generally have been a book store. But now even physical books can be ordered from the comfort of your home, as indeed can be e-books.

In an earlier post I discussed the importance of online tools such as Twitter and Facebook as methods of generating awareness. Books can’t be bought directly from these platforms, so the awareness campaigns on these sites need links to other sites. This can be places like Amazon, Barnes & Noble, Smashwords, iTunes store etc. But also your own website if it has e-commerce capability. If you have a Smashwords account you can download your own book in all the various different formats and put them on your site. (Please check the Smashwords T&Cs before doing this to ensure it doesn’t breach their contract.) So a Kindle user can download a Kindle formatted book from your site, as can an iPad user etc. However, the key point, regardless of where your book is sold, is that there is a link between promotion and place – in the case of online selling, this should be a hyperlink. I’ve lost count of the number of people promoting their book on Twitter and there being no link within the tweet. It is hard enough to sell anything these days, but make it harder for the customer to buy a product and the chances are they won’t. They’re not going to copy a book title from a tweet, then ‘open up’ Amazon and paste it into Amazon’s search facility. The purchasing ‘journey’ needs as few obstacles as possible. Let me finish by giving an example. People will only put in extra effort if they have a high desire for a product or service. Many shops in the UK selling clothes over more than one level adopt a simple policy. Men’s clothes are displayed on the ground floor, and women’s clothes on the first floor. Why? Because the shop owners know that women, generally speaking, will put in more effort to buy clothes than men. In essence, they’ve removed the ‘barrier’ of the staircase. I hope you’ve found this series about the 4Ps of marketing helpful.


Authors, Share Your Book with Millions of Readers

Tuesday, 5 March 2013

Marketing Tips for Authors – The 4Ps Part Three


In the previous posts in this series I covered the areas of Product and Price. In this penultimate post in the series I would like to briefly discuss Promotion. Earlier this week I mentioned the concept of AIDA – Attention, Interest, Desire and Action. Our promotions need to grab the Attention of our prospective readers and generate Interest. This interest needs to build Desire in the prospect, so ultimately they take Action – and buy our book! As authors we have a number of online tools at our disposal to help us achieve this – Twitter, Facebook, Websites, Blogs etc. However, Twitter is NOT a selling platform. With just 140 characters at our disposal, the best we can hope to achieve is grabbing our prospects’ attention, at the same time as planting some seeds to generate interest. Therefore, it is important to always have a link within tweets promoting books. Links which take the prospect to either our website/blog (preferably) or Amazon book/review page (if you don't have a website). These are the platforms where desire must be created, with a carefully worded message. Now here is a challenge for you. I want you to carry out a sanity check on the sales message, within your website/blog, which relates to your book. (If you don’t have a website or blog, just go to your book’s Amazon page.) Imagine you’ve never seen the page before, and this is your first introduction to the book. Based upon your ‘sales pitch’ would YOU buy your book? If you hesitate in saying yes, then the message probably needs a bit of a polish.

The next aspect of promotion to consider is the small matter of cost. You’ll find plenty of people on the Internet only too glad to help you part with some money. You’ll hear terms such as ‘our site will provide great exposure for your book’. If you are not ultimately interested in making money from your hard work then look away now. If, however, you do want to make some money by SELLING your book, you will now need to disconnect your heart from your decision making process. Yes, we all love to see our books in all their glory, on various websites, with people waxing lyrical about them. But this section is about the cold numbers. Let’s assume you’ve been approached by a website owner, who’s given you the ‘exposure’ speech, and he/she just wants just $50 to place your book on his/her well visited website. You know that Amazon is currently paying you a $1 royalty on every e-book sale. You just need to sell 50 to break-even.

Before you go anywhere near your wallet or purse, grab a calculator and start asking questions.

Question 1 – How many unique visitors does their website attract each month? They proudly say 5,000. You quickly calculate you only need one out of every hundred customers to buy your book in month one to break-even. WRONG CALCULATION!

Question 2 – How many of those 5,000 will visit your page on the site? It may be only 10%. So that’s 5,000 reduced to 500.

Question 3 – How many of the 500 will click on the link to Amazon? That again may only be 10%. So 50 people visit Amazon from your page on their website.

Question 4 – How many visits convert to sales? It may be just 2% - not an unlikely figure by any means. 2% of 50 is ONE!  Yes, that’s one sale from 5,000 site visitors in the first month – and I believe I’ve been generous with my percentages. So, to get your money back will take over FOUR YEARS!!

The above scenario is known as a ‘sales funnel’. Each stage reduces the numbers going through to the next stage. Good use of AIDA will certainly help you to widen the neck of the funnel. I hope the above has been of help to you. My final post in this short series will be based on the last of the 4Ps – Place. Until then, happy marketing.

Monday, 4 March 2013

Marketing Tips for Authors - The 4Ps Part Two


In the previous part of this article I explained the basic elements of the 4Ps of marketing were Product - Price - Promotion - Place, and then talked about Product. Today I'm going to discuss that very thorny issue of Price.

Getting the price of your product correct, and this instance I'm referring to the product as your book, is a very careful balancing act. Over price it and sales will plummet. Under price it then the margins (royalties) may suffer. However, there are a number of other factors to take into consideration - exposure being one of the most important for a writer. Personally I'd rather sell 10,000 books at $0.99 (£0.62) each, than 5,000 books for $1.98 (£1.24) each. Technically the royalties are the same (if it's a straight percentage), but having 10,000 people talking about a book is better than 5,000, particularly if there are more books in the pipeline.

Now for the more 'technical' marketing bit - elasticity of demand. For demand to increase for a product the benefits of owning the product must out-weigh the cost of buying the product. There are certain genres of book I personally don't like - so even if they were free I wouldn't download them. On the flip side of the coin there are some books I want as soon as they are released, and then price becomes less sensitive, to a degree. Prices are always higher for products which are in demand. Take games consoles as an example. When Sony bring out a new version of the PlayStation, demand is generally so high Sony are able to 'skim' additional profits from the market by placing the initial launch price at a high level. After a few months the demand reduces, and prices slowly drop to 'lift' the demand back. Companies have to focus very carefully on the elasticity of demand. If a price of a product is increased by 10%, with a resultant drop in demand of 50%, then the product is very price sensitive. However, if the demand only drops by 5%, then the product is less sensitive. A product is said to be 'elastic' when a change in price can stretch demand disproportionately. (e.g Demand increases by 50% when the price is dropped by 10%, and demand falls by 50% when the price rises by 10%). Conversely, a certain product's price could be lowered and lowered and still the demand wouldn't increase. This product's demand would then be deemed to be 'inelastic'. Products which rise in price but the demand hardly alters are also classified as inelastic. Electricity is one example. If prices rose considerably we may get into the habit of turning off lights in unoccupied rooms, but our demand for electricity wouldn't change greatly.

So when pricing your book, you initially need to consider what the demand is for the genre, and then price it to be competitive within that specific market. Then experiment with the price to see how small changes (up and down) affect demand. In the next part of this series I'll be discussing 'Promotion'.

Sunday, 3 March 2013

Marketing Tips for Authors - The 4Ps Part One


Pick up almost any text book on marketing and somewhere within it you’ll find the ‘4Ps of Marketing’ (The Marketing Mix). Some ‘gurus’ have, since the inception of the 4Ps, added a few more Ps to the tally, but for the sake of simplicity, I’ll, for the moment, stick to the original four.

So what does each ‘P’ stand for? The first is ‘Product’, and in this article we will assume you have a book to sell, so the book itself is the first of the 4Ps. (Well not totally, but we’ll come to the reasons why a little later). Next comes ‘Price’, and with it a whole host of associated problems. The third ‘P’ is ‘Promotion’ – primarily getting the correct message over to the correct audience. That isn’t as easy to achieve as it might sound, and of course price will play an important part. Then finally, the fourth ‘P’, which stands for ‘Place’. How are you going to get your product to your customers? With the introduction of ebooks and print-on-demand, the cost implications of printing and storing physical books have reduced significantly. This huge differentiator between the traditional publishers and self-publishers, where the latter couldn’t compete with the former due to the huge resources required, is slowly becoming less important.

In this particular session I’m going to discuss in more detail Product. Price, Promotion and Place will all be dealt with in later articles, when I’ll be looking at each in turn.

I stated earlier that the book was not the whole story (no pun intended) when considering what was meant by Product. I can explain why by giving you just two names – JK Rowling and Dan Brown. Ignoring JK’s latest book for a moment, when these two authors released Harry Potter and the Deathly Hallows and The Lost Symbol, respectively, the result was global sales from day one. If JK Rowling had in fact released Harry Potter #8 at the time, Amazon would probably have crashed, such would have been the demand. Because The Da Vinci Code was such a success, almost regardless of what Dan Brown wrote, the next book was going to be a huge seller; and it was.  However, almost 3,000 reviews on Amazon US suggest The Lost Symbol has been considered average, at best (with all the five rating levels getting almost the same number of reviews), but The Da Vinci Code had already done the hard work, and had created a brand for Dan Brown. All the previous books were re-released, new covers complemented one another, and book shops were selling copies by the truck load. Some may say all the hype may have ‘overvalued’ his brand, which didn’t really deliver with The Lost Symbol. I look forward to his next release with interest, just to see if the wheels are in fact starting to wobble on Dan Brown’s wagon. Conversely,Harry Potter and the Deadly Hallows has a little shy of 4,000 reviews on Amazon US, of which a staggering 78% are 5 star. JK Rowling has created an enormous brand with Harry Potter, plus a bank balance, allegedly, in the region of $1bn. It will now be interesting to see how her writing career progresses after Harry Potter. Early reviews of The Casual Vacancy are totally split, suggesting a ‘Marmite’ book, which will mean in the long term, if the reviews continue in a similar vein, the weakening of her brand. The key point for me about product is, understand what your customers want, then give them what they want, again and again - without compromising on quality.

In the next article I’ll discuss that all important topic of Price.